Avenir next dafont

Avenir Next is a modern sans serif typeface constructed by Adrian Frutiger, Akira Kobayashi, and Akaki Razmadze. The new version, Avenir Next, has been built on the best features of the original Avenir typeface, launched in 2004 by Linotype GmbH. Its purity of lines, ideal volumes, and versatility make it one of the favorite styles of many designers for multiple applications.

One of the most distinctive points of Avenir Next is the smooth contrast of a blend of geometric shapes and Humanism. Fusing those traits into the typeface gives it a modern look yet is approachable and helpful in different design scenarios. Space between the letterforms is left intentionally to provide a clear distinction between the letterforms. Moreover, stroke modulation combined with slight variations in the terminals upgrades legibility and readability across various weights and sizes.

Key Takeaways

Avenir Next provides vast choices of weight and styles, from the most ultra-light-weight to the heaviest ultra-bold, together with corresponding italics. This variability allows designers to choose from various possibilities and develop visually appealing layouts while keeping unity

Econo Sans

The most space-saving sans serif

Even the name of the font implies its function: French for the infinitive “to save” is “économiser.” Now if that doesn’t sound good…

This font saves more space
than any of its kind!

Slim proportions,
but not “condensed”

Characters which nearly touch

Sparse ascenders and descenders

Distinct forms

How close to each other can the characters of a font get? Theoretically, as close as you want. But obviously, the words should still be legible. And as any designer knows, body clearance of characters also depends on other parameters such as point size and line spacing.

In practice, there are always situations in which as much information as doable has to be positioned in as little space as possible.

The ingoFont ÉconoSans is made for exactly this purpose.

The shapes of the upper and lower case letters are completely matter-of-fact, the way a modern font has got to be. The letters c, e, and s are wide open to their neighbors. An especially distinguished trait of this font is the layout of the “triangular” characters v, w, y, x, k, z and A, V, W, Y, Z, K, X, M, N. And the open form of B, R and P is also not typical in a sans serif.